The pin-up model (known as pin-up girl for female pin ups and lesser men for men) is a model with mass-produced images looking at widespread appeal as popular culture. The pin-up is for the informal view, which is "pinned " on the wall. The pin-up model can be a glamor model, a fashion model, or an actor. These photos are also sometimes known as a photo of cheesecake .
The term pin-up can refer to images, paintings, and other illustrations and photos (see pin-up artist list). This term was first proved in English in 1941; However, this practice was documented again at least to the 1890s. Pin-up images can be cut from magazines or newspapers, or on postcards or lithographs. Such images often appear on walls, tables, or calendars. Pin-up posters are mass-produced, and became popular since the mid-20th century.
Male pin-ups were less common than their female counterparts throughout the 20th century, although the market for homoerotica always existed as well as popular male celebrity images targeted at women or girls. Examples include James Dean and Jim Morrison.
Video Pin-up model
History
Pin-up modeling has "theater origins", starting with burlesque artists and actresses and sometimes using photographic ads as business cards to promote themselves. These ads and business cards can often be found backstage in almost every green space of the theater, affixed to or attached to the "glasses frame, in the gas-burning joints, and sometimes lying on top of the sacred cast.-the case itself." Understanding the power of advertising - advertising photography to promote their performances, women mockery build their own identity to make themselves visible. Recognized not only within the theater itself but also beyond challenging the convention where women and women's potential in the public sphere. "To understand the intricate identity and subversive nature of 19th-century actresses, we must also understand that the era of views about women's potential is closely related to their sexuality, which in turn is related to their level of visibility in the public sphere: irrespective of race, class or background , it is generally assumed that the more common the woman is, the more 'public,' or available, her sexuality, according to historian Maria Elena Buszek.Famous sexual fantasies, the famous actress in the early 20th century film was pulled and photographed and displayed posters for sale for personal entertainment. Among the celebrities who are considered sex symbols.One of the most popular early pin-up girls is Betty Grable, whose posters are everywhere in GI lockers during World War II.
In Europe, before the First World War, people like Fernande Barrey (aka "Miss Fernande"), arguably the first pin-up in the world as it is known in the modern sense. Miss Barrey showed a wide and naked frontal cleavage. His photographs were valued by soldiers on both sides of the First World War conflict.
Other pin-ups are works of art that portray an idealized version of what some very attractive or attractive women consider. An early example of the latter type is the Gibson girl, a representation of the New Lady drawn by Charles Dana Gibson. "Since the New Woman is a symbol of her new ideas about her sex, it is inevitable that she too will come to symbolize new ideas about sexuality." Unlike the actresses and dancers who have taken pictures a few generations before, fantasy gives artists the freedom to attract women in many ways. The 1932 Esquire "men" magazine featured many pictures and cartoons of "girlie" but most famous for the Vargas girls . Before World War II they were praised for their beauty and lacked a focus on their sexuality. However, during the war, the pictures turned into women who played military makeup and were pulled in a seductive manner, like a child playing with a doll. Vargas girls became very popular from 1942-46, due to the high volume of military demand, "9 million copies of the magazine-without advertising and free were sent to American troops stationed abroad and in domestic bases." The Vargas Girls were adapted as nose art in many bomber and World War II fighter planes; Generally, they are considered inspiring, and not viewed negatively, or as prostitutes, but mostly as women who inspire patriots who help for luck.
Among the other famous artists specializing in this field are Earle K. Bergey, Enoch Bolles, Gil Elvgren, George Petty, Rolf Armstrong, ZoÃÆ' Â «Mozert, Duane Bryers, and Art Frahm. Notable contemporary pin-up artists include Olivia De Berardinis, known for the pin-up art of Bettie Page and his work in Playboy.
Maps Pin-up model
Feminism and pin-up
Many people believe that from the beginning the pin-up "... has presented women with models to express and find pleasure in their sexual subjectivity".
According to Joanne Meyerowitz in "Women, Cheesecake, and Borderline Material" an article in the Women's Journal of Women, "Because sexual images of women proliferate in popular culture, women participate actively in constructing arguments to support as well as to protest them. "
By early 1869, women had become supporters and pin-up protesters. Women supporters of the initial pin-up content consider this a "positive post-Victoria rejection of physical embarrassment and a healthy appreciation of women's beauty."
In addition, pin-ups allow women to change daily culture. The models "... succeed in the feminist goal of changing rigid and patriarchal terms".
It has further been debated by some critics that at the beginning of the 20th century, these women's drawings helped define certain body images - like clean, healthy, and healthy - and enjoyed by both men and women; as time goes by these images change from honorable to forbidden.
In contrast, female protesters argue that these images undermine the morality of society and see women's sexual performance publicly as lowering female standards, destroying their dignity, reducing them to mere objects for pleasure men and therefore harmful to women and adolescents.
Pin-up modeling is a subculture that is invested in promoting positive body image and love for one's sexuality, "... pin-ups will also find a way to... encourage an erotic self-awareness and self-expression of a real woman".
Hairstyles and makeup
The classic style of pin-up comes from the 1940s. Due to material shortages during World War II, this makeup period is considered a "natural beauty". The US appears in a war-time economy, which places restrictions on distribution on consumer goods. General allotment is supported; women apply a small number of products. Although there is a quota, "Women are encouraged to keep buying lipsticks and sending forward letters covered in" lipstick kisses "to improve the morale of the soldiers."
Products consist of:
- "Foundation - Base cream, liquid foundation that matches their natural skin color,
"Having sun-kissing light is very popular among white women.
- Compact Powders - used to set the foundation and even the entire skin.
- Eyes and eyebrows - neutral contours on the brow bone and cover. Eyebrows are formed but remain full.
- Eyeliner - the wing effect became popular in the 1950s.
- Lashes - extends the eye barrier to make it look a little bigger.
- Blush - pastel and rose colors are applied to the apple of the cheek.
- Lips - color is red and dull, applied to look fat.
Lipstick "turned into a symbol of ductile femininity in the face of danger" and was seen as a way to boost morale during the war. The shape of his lips is also an icon from the 1940s. Lips painted to look fat, outline of lips added for roundness. This fuller look is known as the "Bow Hunter", which was discovered by Max Factor.
Pin curl is a pin-up style staple, "women use curved pins for their ultimate hair curling technique". Originating from the 1920s from the "water-waving technique", the 1940s hairstyles consisted of fuller and more tender curls. The drying technique consists of wet haircut curling, from end to root and pin in place. After the curls dry, it is brushed to create the desired soft curls, with a thick silhouette.
The winning scroll is also a different hairstyle from the pin-up. The Triumphal Scroll curves inward and sweeps the face and is taped over the head. Soft curls, achieved through pin curl technique, finishing pin-up display..
As a makeup style, the classic pin-ups experience a revival in modern fashion. Red lips and winged eyeliner made a reappearance in 2010, with singer Katy Perry being the most accessible example of modern pin-up makeup.
There is a lack of representation in ladies color media as a pin-up model, although they have an effect on style construction and are just as fancy.
As a makeup style, makeup is simple and slim, look and glamorous.
Pin-Up in the Contemporary Era
Many people associate pin-up modeling with World War II and the 1950s, but pin-up has evolved and is a growing subculture enjoyed by many women to this day. Pin-ups can be seen almost anywhere now, even from celebrities and community leaders. Like Lana Del Rey, whose style is very similar to the classic pin-up model, she even has a song called "Pin Up Galore". In addition to Lana Del Rey, BeyoncÃÆ' © also has a song labeled "Why Do not You Love Me" paying homage to the 1950s pin-up queen, Bettie Page. Another public figure and a mocker who is constantly referred to as a modern pin-up, is Dita Von Teese. Von Teese has even been featured in a biography of Bettie Page, "Bettie Page Reveals All" [1], where he helped pin-up. Katy Perry is another celebrity who embodies pin-up ideals, and has exhibited this in various music videos and clothing choices.
Apart from the celebrities, the pin-up model is a cultural subgroup that almost everyone can enjoy. There are many magazines and forums dedicated to this vibrant community. An example of this is the labeled label magazine, "Delicious Dolls". "Delicious Dolls" is like a catalog of everything related and helps in building a modern pin-up fan community. The magazine began in 2011 and has print and digital versions, and in 2015 became the most "preferred" pin-up magazine in the world. One of the magazine's mission statements, which is important to note, is "... to promote and showcase the classic and modern pin ups." The magazine not only supports pin-up related activities throughout the United States, but also offers anyone to show in their magazines as long as they have worked with approved photographers. In this subculture there are also many opportunities to appear in pin-up contests. One of the specifics is set in Las Vegas during the rock festival, where a pin-up contest is held. The purpose of this contest is "not only based on the popularity or attractiveness of cosmetics but also including the inner beauty." They specifically note on the site that they encourage "all shapes and sizes" and that the winners will be judged on their bio, free time, or any work they do outside their pin-up hobby. They do not perform, but they are judged on authenticity, originality, overall style presentation, audience appeal, and stage presence.
Women's span id = "Women_of_Color_in_Pin-Up"> Colored Woman in Pin-Up
Although Marilyn Monroe and Bettie Page are often cited as classic pin-ups, there are many women who are also considered to be impacting. In 1920 two of America's most famous African American burlesque dancers were Josephine Baker and Lottie Graves. Although there is a bit of history about burlesque black dancers, Josephine Baker and Lottie Graves are a good starting point for evaluating women colors in pin-ups. Dorothy Dandridge and Eartha Kitt also added pin-up styles to their time, using their looks, fame, and personal success. The African-American Pin-up finally had a platform when the Jet, magazine, was created in 1951. Jet backed up pin-up because they have a full-page feature called, "Beauty of the Week", where African American women pose in swimsuits and like that. This is meant to showcase the beauty these women possess as they live in a world where their skin tone is under strict supervision. It was not until 1965 that Jennifer Jackson became the first African American to be published in Playboy as the Playmate of the Month. And just in 1990 Playmate of the Year Playboy became an African American woman, Renee Tennison. Historically, women colors in pin-ups are still not the same as their white counterparts. However, recent pin-up styles have prompted many women of today's colors to create and try with the classic pin-up look to create their own beauty standards. In a book published by Jim Linderman, "The Secret History of Black Pin Up", he describes the life and experience of the African-American pine model. Here he outlines the untold stories of African-American women involved in pin ups.
See also
References
Note
Quotes
Bibliography
External links
- 50 Years of American Pin-Ups - a slideshow by The Week UK
- Pin Up - The Pin Up Magazine for more information on Pin Up Girls from the 2000s
Source of the article : Wikipedia
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